“The Last Olympian”, written by Rick Riordan as the conclusion to the Percy Jackson & the Olympians series is an excellent capstone for the story.

Some of my previous frustrations remain and some new ones have risen. The attitudes and lack of maturity of the gods still bothered me in this book, but they were consistent with the rest of the series. Several places throughout the book it becomes clear that certain groups were not going to be willing to work together and this was very frustrating, but it did serve the needs of the book.

I didn’t really like the way Percy’s character grew in this final book, as I prefer heroes who learn humility and the advantage/necessity of working with and depending on others. There were some elements of this as Percy progressed to become the hero, but he didn’t have to grow in this way as much as I would prefer. Also along these line, the “advantage” he takes upon himself to help in battles, while intriguing, is less interesting than if he could have facilitated the ending without the “advantage”.

Still, “The Last Olympian” is definitely worth reading. This final book had a consistent theme of sacrifice and collaboration which made it enjoyable to read. I felt that all of the characters grew and that the ending was believable. I thought the “blessing” that Clarisse received from her father was pretty cool. I liked how the story played out, and I felt the author’s choices of characters and themes in the ending were excellent.

“This Last Olympian” by Rick Riordan is definitely worth reading, and the resolution of the plot is enjoyable enough to make this entire easy-read series one that I’d say is worth the time spent.

“The Sea of Monsters”, book two in the Percy Jackson & the Olympians series by Rick Riordan, significantly improves upon the original. With this book Riordan begins to draw on the rich mythological histories behind his characters and the depth that these histories bring to the story makes it much more interesting and enjoyable. The introduction of Tyson begins the process of changing Percy from an annoying, self-centered narrator to a likeable hero, and Tyson ends up being not only a key part of this book, but also a key-factor in the value and enjoyment of the series (I would argue that the character of Tyson is the most important in the series, because of the effect he has on Percy). Riordan makes use of existing mysteries and places (such as the Bermuda Triangle) in this book, thereby successfully inserting the reader into the story. The ending of “The Sea of Monsters” is surprising and unexpected, and Riordan does an excellent job of misdirection while revealing his ending, keeping it exciting and changing right up to the end. This book should win an award for “Most Improved Sequel”.

“The Sea of Monsters” still falls a bit short of being great, mainly because the gods and monsters throughout the book do not act as though they’ve been around for thousands of years, but it is definitely a book worth reading. Anyone who made it through the first book should at least reward their effort by reading the second.

Fablehaven: Secrets of the Dragon Sanctuaryby Brandon Mull

I like the Fablehaven series and this fourth installment is a good addition to the set, which (according to the back of the fourth book) will conclude in a fifth book due out sometime next year. “Secrets of the Dragon Sanctuary” lacks the full emotional involvement that could catapult Mulls writing into the realm of the classics and suffers from some minor philosophical contradictions, but it is nevertheless an exciting and fresh story with unique characters and an unexpected conclusion.

Mull doesn’t fully develop the emotion of his stories, and this ends up hindering both the story and the speech of some of his characters. For example, in “Secrets of the Dragon Sanctuary” chapter 3 should be read before chapter 2. The 3rd chapter of the book (along with pieces of chapter 5) weaves an immensely emotion story that tears at your hopes and bolsters your fears, and makes you anxious to read on for a resolution, desperately hoping that Mull has a way to undo everything that he has done. At least, that’s how you would feel if you hadn’t spoiled it by reading chapter 2, pre-empting the emotional investment you could have made and the wonderful sense of unexpected relief that chapter 2 could have given you (by the way, there is a very similar situation in Book Two: “Rise of the Evening Star”; Chapter 13 should be read before chapter 12). Seth and Kendra’s grandparents also suffer emotionally in the story, often sounding very detached and business-like when they speak to Seth or Kendra, rather than sounding like a grandparent that truly loves and adores their grandchild and therefore can’t help but let that adoration make their communication more intimate. This lack of emotion doesn’t ruin the story by any means, but it is one of the things that keep the books of this series from being books that you are anxious to read again.

The books of the Fablehaven series also suffer from a few contradictions, and this fourth book is no exception. For example, Fairy’s are presented as not being able to be good or bad because they don’t really choose to do good things, and yet some of the fairies make choices that separate them as clearly being more trustworthy and friendly than other fairies. Another contradiction is how deception is treated in the “Secrets of the Dragon Sanctuary”. Betrayal and deception are the cornerstone of the evils of the book, and yet the “good” caretakers employ similar deceptive tactics in betraying the trust of some of the creatures on their reserve, justifying the deception and betrayal because of their need and the difficulty of dealing truthfully with the creatures. Honesty and integrity are the most important tenets of the “good” heroes I want to believe in, and if a hero must deceive I anxiously await the moment when all is revealed. A hero willing to permanently deceive others for sake of convenience is not the hero I want to stand behind, and these types of heroes should be presented as characters whose integrity needs to mature. Once again, however, these contradictions are minor annoyances, and don’t detract much from the story.

What makes this book worth reading is the story, and the rich array of characters and creatures that are a part of its world of magic. The creatures are exciting to learn about; some of the dragons introduced in this installment being especially interesting. The ending twist caught me completely off-guard, which hasn’t happened in even some of my favorite books. If anything, my criticisms described in the previous two paragraphs are the result of my love for the story of the Fablehaven series, and the rich magical world in which Mull immerses the reader. The contrast and collaborative possibilities presented in “Secrets of the Dragon Sanctuary” that result from the special magical abilities that have been granted to Seth and Kendra are possibly some of my favorites in any book that I’ve read. I am hoping strongly that the conclusion of the series in book five, “Keys to the Demon Prison,” will be inextricably dependent upon some great power that can only be wielded by these two young heroes.

The fourth installment of the Fablehaven series, “Secrets of the Dragon Sanctuary” is a book worth reading (after the first, second and third books, naturally). I wish that the stories were a little more refined to my taste, but they are still wonderful stories that are well written. Brandon Mull is an author that I will keep on the list of those whose books I am interested in reading.