Showing posts with label Easy Read. Show all posts
Showing posts with label Easy Read. Show all posts

Sunday, May 16, 2010

“The Last Olympian”, written by Rick Riordan as the conclusion to the Percy Jackson & the Olympians series is an excellent capstone for the story.

Some of my previous frustrations remain and some new ones have risen. The attitudes and lack of maturity of the gods still bothered me in this book, but they were consistent with the rest of the series. Several places throughout the book it becomes clear that certain groups were not going to be willing to work together and this was very frustrating, but it did serve the needs of the book.

I didn’t really like the way Percy’s character grew in this final book, as I prefer heroes who learn humility and the advantage/necessity of working with and depending on others. There were some elements of this as Percy progressed to become the hero, but he didn’t have to grow in this way as much as I would prefer. Also along these line, the “advantage” he takes upon himself to help in battles, while intriguing, is less interesting than if he could have facilitated the ending without the “advantage”.

Still, “The Last Olympian” is definitely worth reading. This final book had a consistent theme of sacrifice and collaboration which made it enjoyable to read. I felt that all of the characters grew and that the ending was believable. I thought the “blessing” that Clarisse received from her father was pretty cool. I liked how the story played out, and I felt the author’s choices of characters and themes in the ending were excellent.

“This Last Olympian” by Rick Riordan is definitely worth reading, and the resolution of the plot is enjoyable enough to make this entire easy-read series one that I’d say is worth the time spent.
I enjoyed Rick Riordan’s third book in the Percy Jackson & the Olympians series, “The Titan’s Curse”, but it was riddled with some dissatisfying elements. A favorite character is mostly absent in this book. A death of a major character is assumed and is integral to the plot of the series, but the death is not actually confirmed until the next book (and even then the revelation lacks the drama and power that the suspense has built). Annabeth’s stories of her family seem to be shown to be untrue, but no clear reason for the fabrications is ever presented. Also, it becomes clear that there are two storyline threads in this book; One with pieces that will need to be addressed before the end of the book and one with pieces that aren’t intended to be addressed until a “different” book (an unfortunate but common occurrence in stories that are intended to span several volumes). Elements such as these detract from what makes the novel good, but the novel maintains interest and is enjoyable despite these frustrating additions.

All negative opinions aside, “The Titan’s Curse” was a pleasant, easy read that moved the series forward nicely. Riordan does a good job of introducing new elements of mythology and intertwining them with the existing story, and the result is another exciting adventure enriched with elements from Greek mythology.
“The Sea of Monsters”, book two in the Percy Jackson & the Olympians series by Rick Riordan, significantly improves upon the original. With this book Riordan begins to draw on the rich mythological histories behind his characters and the depth that these histories bring to the story makes it much more interesting and enjoyable. The introduction of Tyson begins the process of changing Percy from an annoying, self-centered narrator to a likeable hero, and Tyson ends up being not only a key part of this book, but also a key-factor in the value and enjoyment of the series (I would argue that the character of Tyson is the most important in the series, because of the effect he has on Percy). Riordan makes use of existing mysteries and places (such as the Bermuda Triangle) in this book, thereby successfully inserting the reader into the story. The ending of “The Sea of Monsters” is surprising and unexpected, and Riordan does an excellent job of misdirection while revealing his ending, keeping it exciting and changing right up to the end. This book should win an award for “Most Improved Sequel”.

“The Sea of Monsters” still falls a bit short of being great, mainly because the gods and monsters throughout the book do not act as though they’ve been around for thousands of years, but it is definitely a book worth reading. Anyone who made it through the first book should at least reward their effort by reading the second.

Sunday, April 4, 2010

“The Lightning Thief”, the first book in the Percy Jackson and the Olympians series by Rick Riordan is not an outstanding book, but it is the first book in an otherwise good series.

I didn’t enjoy the way this book was written. First person and rude (very reminiscent of “Catcher in the Rye” by J.D. Slinger) is a writing style that I don’t really enjoy, especially since frequently some things I like are referred to as being a great torture.

The story itself is flat. Some of the places visited are real, some are not; some are from mythology, and some places are just made up, but all of the places seem to lack history. The highlights came from mythological elements being presented, like when Percy learns that being the son of Poseidon means he can communicate with equine-ish animals, but these elements are not used frequently enough. In fact the greatest strength this book has is that it is a good idea, that the gods (and other things) from Greek Mythology are real and some of us are their children, but the idea just isn’t exploited enough in this book.

Probably my least favorite part of this book is that in the end a murder is committed and is written as though it should be funny. It is a tasteless ending that further diminishes the value of the story.

Sadly, I probably prefer the movie to the book (they are significantly different) and I’m not that fond of the movie. Still, it is worth reading “The Lightning Thief” so that you can read the rest of the series.

Saturday, March 20, 2010

Noel’s Miracle – G. Philip Ungricht

“Noel’s Miracle” written by an acquaintance of mine, G. Philip Ungricht is a heartwarming story, but lacks a certain degree of believability. This is the story of a man who loves Christmas and the story of Jesus Christ’s birth that it represents, and how his passion for Christmas changes the lives of those around him, especially the life of his treating physician. While I enjoyed this book (and laughed & cried while reading it), the story had several areas that needed refining as the believability of the story. Also, the occasional richness of the medical terminology, though adding to the authenticity of the storyline, actually detracted from the book, making it feel like we’d briefly stepped into a prime time medical drama rather than advancing the plot. Ungricht’s work, “Noel’s Miracle”, being only 163 reasonably-large-print pages, is a story worth taking the time to read, but it could use some further refinement for it to reach its potential of being a story you want to read every Christmas.

Monday, September 7, 2009

The Chronicles of Narnia - C.S. Lewis

I enjoyed rereading the Chronicles of Narnia series. While as a series it is fairly disjunct, there are parts of it that I love. Most of those parts include Aslan.

I love how Aslan is written in these books as he encompasses so many of my feelings for God: The grandeur and the intimacy; Being loving and personal, but full of infinite wisdom and knowledge. Like a friend you trust that occasionally will be so brutally honest that you are cut to your soul and feel an exposed, burning pain worse than any you’ve known, but once you’ve healed you realize that a persistent nagging pain is gone and that the scar the cut left behind is as valuable to you as your life. This is what I feel about Aslan as I read him in the books, and he seems to be an excellent allegorical figuration of my feelings about God.

It’s interesting to contrast these feelings with those from the notoriously “anti-Narnian” series by Philip Pullman, the “His Dark Materials” trilogy. There isn’t a single character in “His Dark Materials” that doesn’t at some point succeed in making me feel frustrated, hopeless and cynical, with the possible exception of the polar bear king, Iorek Byrnison. I like the “His Dark Materials” series, but an uplifting tail it isn’t.

My recommendation is to read “The Chronicles of Narnia”, and probably reread the series once ever decade or so, if for no other reason than to be able to relive in print some of your feelings for your Heavenly Father. My apologies to all the atheists (and other humanist types) who don’t choose to regard those feelings as valuable.

Saturday, July 11, 2009

Harry Potter and the Chamber of Secrets by J. K. Rowling

“Harry Potter and the Chamber of Secrets” by J. K. Rowling is an outstanding second offering in the heptilogy of Harry Potter. Though this book is a sequel, it has a very unique story line that builds nicely on the first. The characters mature in this second book into much more unique and three-dimensional elements, which further enrich the story and the world that we explore with Harry. If you liked the first book, you will like the second.

First some plot items I like in this book. I loved the flying car. The way it plays such a major role in the book is just fun, but it makes me disappointed that after this book it isn’t heard from again. I would have loved to at least have found its remains and had a brief eulogy, say, in book seven? I also like the crucial role that Ron’s wand plays throughout the book. On top of that you add mandrakes, giant pumpkins, freaky spiders, parsel-tongue and so many other items that make this second edition in the study of the “science” of magic very enjoyable.

In addition the characters all get a dose of richness in this second novel. Each character is unique and fully emotive in the text. Hagrid is simple of speech but incredibly good hearted and brilliant with magical creatures. Gilderoy Lockhart is conceited and fairly incompetent, but extremely cunning. Tom Riddle is unscrupulously motivated to better his abilities regardless of the expense of others, an obsession that thoroughly lays the foundation for his future exploits. Harry is good-hearted, insecure and full of the self-important poor judgment that I remember having when I was twelve. Dumbledore matures significantly in this book, from the kind-but-extremely-eccentric headmaster of the first book to a competent and loving grandfather figure. Severus Snape’s actions in this book are a little harsher than I would expect given his motivation (as revealed in book seven), but not unreasonable. Character after character is unique and consistent in the way they use words, in the way the circumstances affect them emotionally and in the actions that they choose. If you read “Harry Potter and the Chamber of Secrets” for no other reason, then read it just to observe the beautifully crafted characters.

This second novel in the Harry Potter series builds and matures from the first into a very pleasant reading experience. The bottom line is that if you enjoyed reading the first book, then the depth and colors of the plot and characters in “Harry Potter and the Chamber of Secrets” will enhance your appreciation of J. K. Rowling’s expressive and clear style of writing, and you will thoroughly enjoy this book.

Saturday, May 30, 2009

Harry Potter and the Sorcerer's Stone by J. K. Rowling

"Harry Potter and the Sorcerer’s Stone" by J. K. Rowling is a book I highly recommend, especially if, like me, it’s been 7 or 8 years since you’ve been through the text. I have a few grievances with the book, make no mistake, but this book is definitely entertaining, with complicated and contrasting characters and personable heroes in a rich, multilayered environment of discovery and mystery. If you haven’t read this book, you should read it.

I originally included a section here on why having a book about magic is not evil, but it doesn’t really fit in this review. I’ve included the text in a post-script if you would like to read it.

Allow me to vent for a moment. This book is actually called “Harry Potter and the PHILOSPHER’S Stone.” Why do we have the version we have? The philosopher’s stone is an actual legend (http://en.wikipedia.org/wiki/Philosopher%27s_stone) and Nicolas Flamel was an actual person tied to the legend (http://en.wikipedia.org/wiki/Nicolas_Flamel). The “sorcerer’s” stone isn’t anything. I know, it’s not really a big deal, but I just wish the “American” version wasn’t the less interesting version, that’s all. Don’t get me wrong, some of the changes between the two books do improve the readability (http://www.hp-lexicon.org/about/books/ps/differences-ps.html), my issue is just with the substitution of “sorcerer” for “philosopher”. It also begs the question: in the movie, did they shoot two separate scenes for every section that included the phrase “sorcerer’s stone”? Do Britain’s see a different movie than I do? Does this British version come in a format that you can watch in the US? So many unanswered questions!!! (Alright, so in today’s wiki-age there’s no such thing as an unanswered question: see http://en.wikipedia.org/wiki/Harry_Potter_and_the_Philosopher under “Filming”.)

Believe it or not, this is actually the first time I’ve read “Harry Potter and the Sorcerer’s Stone”, and I’ve never actually read any of the other books in the Harry Potter series. That’s not to say I don’t know the text; all of the books have been read to me in their entirety by my wife, Britt. However, this being the first time that I’ve read the text myself made the reading an interesting experience, and made the story seem very fresh. Knowing how the entire series transpires and resolves makes the wonderful Easter eggs throughout the book more interesting (like the mention of Serious Black in the first chapter). The biggest strength of the book is the dynamic range in the personalities of its characters, but a close second is the setting of Hogwarts. This setting allows for a very natural introduction and exposition of many magical ideas, and allows for a nearly unlimited number of contrasting plot developments. The end is exciting and riveting, but I do have to say that I prefer the movie’s rendering of the ultimate foiling of the villain to that of the book; the book’s version just seems much…wetter. Harry Potter is an unlikely and endearing hero, and his friends contrast him so perfectly that the story ends up demonstrating many valuable life-lessons, like the value of teamwork, integrity and courage. A telling mark of an enduring book is its ability to be interesting the second time you read the story, and this is a quality that exists very solidly in “Harry Potter and the Sorcerer’s Stone.”

Needless to say, I highly recommend the book. Despite my frustrations with the removal of “Philosopher’s Stone” from the American version, I find the book to be well written, interesting and very entertaining. If you haven’t read this book, you should borrow a copy today from your friend who keeps bugging you to read it. The book is good enough that you won’t even mind that smug I-told-you-so look on their face.

P.S.
I’d like to put in a plug for why the use of magic in a story plot is NOT evil. I certainly understand why magic can seem inappropriate when you try to mesh it into a spiritual context. Magic can certainly be presented as the antithesis of the power of God. When we see Jesus Christ use the power of God in the scriptures, it often seems like magic, but Christ makes it clear that he is doing the will of the Father and not his own will, and he often attributes the ability for the power to work to a trait (namely faith) in the receiver of the power. This fits the best definition I’ve heard for the ability to wield God’s power: It is the ability to serve others. Contrast this with magic, which is usually depicted as being mastered by an individual so that it can be forced to do their will. Likewise, incantations are the antithesis to prayer. Prayer is an act of seeking to communicate with a supernatural superior, and thereafter trying to learn what answers have come from the supplication. Again, the expectation is that no matter what is prayed for, the answer will be according to God’s will, not according to the will of the party who is praying. Incantations, on the other hand, are repetitive phrases that can force the supernatural power to submit to the one saying the incantation. I could go on, but I think it is clear why some seem to think that magic and religion collide so viciously; it is because some would have you believe that they are competing for legitimacy.

There are two ideas, then, as to what magic power is. One idea is that for magic to exist, God could not, and therefore to suggest that magic exists is to suggest that God does not exist. The other idea is that to study magic is to seek power from those who oppose God. This is not how it magic treated in “Harry Potter and the Sorcerer’s Stone”.

In this book, magic is just a cool version of science. Some examples? Herbology, the study of magical plants and their uses, is akin to many ways we study plants in the real world, just more interesting. Aloe Vera soothes your skin (boring); magical plants can make you breathe underwater (cool). Potions is magical chemistry. Mix the wrong chemicals in the real world and your explosion will likely kill you (scary, dangerous); Add porcupine quills before taking your cauldron of the fire and the explosion will be painful, amusing and immediately reversible (funny, poor old Neville, why is Snape so mean?). In “Harry Potter and the Sorcerer’s Stone”, magic is treated as a source of power (akin to electricity) that taps into both the supernatural and emotional world around us, and Hogwarts school is dedicated to the science of how to use this source of power. Magic, then, is a mixture of science with imagination, and adding imagination to science is interesting, entertaining and valuable. It is NOT evil.